releases so far



Kevin Tihista Home Demons Vol I





The UK issue of Home Demons has 21 tracks as opposed to the 15 track issue that the "Wimps" at Parasol (Kevin's words not ours) have released.

The tracklisting is as follows:

Dracula
Can I Count On You
I Don’t Blame You
#32
Wake Up Captain
Stratford Upon Avon
I Love You
Sweet
The Long Way Home
We Just Disagree
The Greatest Thing
Idiots
This Should Be A Duet (Really)
Lovely One
15 Hundred Miles
Budge
Is That All There Is?
Keep My Cool
Jim Henson’s Blues/You’re Not Bad
Dracula II

There's also a bonus hidden track to be found somewhere....


£10.00 UK pounds inc p/p (UK/Europe/Rest of the World-availble via Parasol in the USA/Canada).



“…these melody-rich cuts capture his soft-pop fragility perfectly, somewhere between McCartney, The Lilac Time and John Sebastien.” UNCUT 4/5

“Delicious pop etchings….shows a man in sparkling form. Bring on the second volume.” Q

“…filled to the brim with great songs brilliantly showcasing Tihista’s engaging vocals, which fall somewhere in the middle of the post-Beatles John Lennon and early Paul Simon….a great piece of fun.” WORD

"Fortunately it's a case of quality & quantity, his soft voice, cheap keyboards and fuzzy guitar, wrapping themselves together into a smorgasboard of woozy love songs...Tihista is carving a legend all of his own" MAVERICK 4/5

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Cub Country

Stay Poor, Stay Happy BKH-CD 007


£10.00 UK pounds inc p/p (UK/Europe/Rest of the World-availble via Future Farmer in the USA/Canada).

"Sounds like the urban descendent of of a whistling brakeman or the country bedsit cousin of Paul Westerberg" UNCUT

"A formidable slice of urban Americana ..Since Wilco have moved on , it seems there are plenty of bidders for their throne of indie tinged country. Cub Country are definitely one of the more promising hopefuls" MAVERICK 4/5

"Chatelain has studied his Parsons and Stones and Dylan and thankfully avoided the note-for-note perfection of today's most popular derivative artists. chatelain and the boys play with a delightful fallibility that harkens back to the days when Uncle Tupelo was just three guys writing the only music they knew how to write. it basks in beefy guitars, blue collar harmonies and happy hour twang. " Rough Trade Shop (London)

"The album moves effortlessly from simple acoustic arrangements ('Leaving the Bar' & 'The Sun') to full rock band blowouts ('Missed the Train'). And any artist that employs the wonderfully monikered 'Spanky Van Dyke' just has to be checked out" Americana UK

"Straight out of UTAH-STATE, U-U-U-UTAH STATE (Salt Lake City to be exact), Jeremy Chatelain is the latest in a long-line of singer songwriters to take on the mantle of Americana. Released through Manchester's Broken Horse label, 'Stay Poor, Stay Happy' is liberally coated in the fingerprints of artists such as Wilco, Ryan Adams and (to an extent) Johnny Cash, with Chatelian assuming an after-hours confessional tone that is equally inviting and intimate. With lyrics that sound as though they should be lamenting lost loves (even if they're not), Cub Country is simultaneously uplifting and melancholic in the great tradition of such records. So whilst 'Be Your Own Hitman' is a slow build acoustic rollercoaster and 'If We Should Fall' takes a leaf out of Smog's well thumbed book, it is Chatelain's electronic injection on 'The West' which shines brightest."

boomkat.com

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Cub Country is the songwriting project of Salt Lake City native and now Chapel Hill resident Jeremy Chatelain. From Jeremy’s punk rock roots throughout the 90’s, firstly as front man of Handsome to then bassist of Jets To Brazil, some downtime between JTB tours lead to Jeremy writing songs of his own.

"I had an acoustic guitar that had been gathering dust for years and got inspired to write some songs," he said. "I bought a little recording system and started tracking things, and it just sort of came together."

Jeremy formed Cub Country in 1999 as a vehicle to feature songs of his own that would otherwise have had no outlet. Because he and everyone else he knew were already in bands, his theory from the beginning was to take each song, perform them with friends and commit it to tape with the urgent energy of a song freshly enjoyed. Though slow to start, the theory panned out. Jeremy and Utah Slim recorded the first Cub Country EP in a Brooklyn apartment that became known as "Castle Coldshins", and released it on Ear To Ground Records in September of 2000.

Next, Jeremy set about to record another, more involved record. 'High Uinta High' was committed to tape in Salt Lake City, Seattle, Brooklyn and Tenafly, NJ. Once again, he'd put his theory to a successful test, having written a multitude of songs and taught them to different people, with excellent results. 'High Uinta High,' named after the Uinta mountain range in Utah, was released by Jade Tree in February 2002. At that point it was crucial to go out and spread the word a little bit. So Jeremey assembled a band of "other folks who didn't have real jobs, namely Jets To Brazil, Spanky Van Dyke, and Scott Schoenbeck" to play three weeks worth of shows. The group kicked off the tour in New York at Joe's Public Theatre in February , 2002, continuing through such cities as Kansas City, Houston, Orlando and Raleigh, finishing off with a triumphant show at the Mercury Lounge In NYC.

'Stay Poor,Stay Happy' unveils ten more tales that continue in the incredible tradition of Americana that Jeremy has spoken of his love for in the past years. Set for UK release on Broken Horse on June 27th , the album was recorded over a two-year span in such diverse locales as Brooklyn, Salt Lake City and Chapel Hill, NC. 'Stay Poor, Stay Happy' showcases Jeremy's undeniable songwriting / musical talent and serves as a solid follow-up to 2002's debut 'High Uinta High'. The album was mixed by Brian Paulson (of prior Wilco, Jayhawks & Son Volt projects). According to Jeremy, the title 'Stay Poor , Stay Happy' comes from graffiti he encountered in a bathroom in New York City. Explaining his choice, he says, "It's pretty much the reality that I face in my life at the moment. And, I thought it sounded like a great title when I said it back to myself."

Cub Country has since evolved into what Jeremy describes as a full-time band, comprised of North Carolina musicians Matt Sumrow, Jeff Clarke and Justin Ansley. As for where Jeremy sees going, he states "I'd just like to continue making records and putting them out for a long time to come with people who get it, and want to be involved." Tales of the love for life, love lost ('Be Yer Own Hitman') and the longing for days past ('If We Should Fall') are evident - as is the potential to make Jeremy and his newly gathered band of talented musicians household names... or at least in Urban Outfitters.

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Silver Ray

Humans BKH-CD 006


£10.00 UK pounds inc p/p (UK/Europe/USA/Canada/Rest of the World).

"Humans deserves a place alongside the best of Godspeed, Explosions In The Sky and their most obvious peers, The Dirty Three." (Uncut)

" A stately tour de force...Humans shimmers with the romantic playfulness that lit up Jim O'Rourke's Bad Timing." (MOJO)

"Silver Ray are as deliciously exciting as a spin across a crowded dancefloor.A triumph of imagination without pretension." (The Guardian)

"They do the quite to loud thing but they do it with subtlety, and they take just as much care with the loud to quiet bits. Should you ever need your spirits lifted late at night, this should do nicely." (The Sunday Times)

"Punctuated by a blend of the powerful, the majestic and the bombastic..an unexpected gem "(City Life)

"Recorded live in studio, it uses guitar, drums and piano to create a series of sweeping symphonies that can't fail to lift the spirits.. One for the adventurous." (Entertainment Ireland)

"Humans sits squarely in the post rock bracket but witha unique approach to music making that sets it apart from Mogwai, Godspeed, Explosions and the rest "(The Independent)

"Listening To Silver Ray's music is an emotive, almost transcendental experience." (Metro)

"(Humans) is breathtaking, loaded with so much melody and emotion it is an exhausting, though ultimately rewarding listen. Essential." (Stranger Magazine)

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Matt Suggs

Amigo Row BKH-CD 005 (to be released late Summer 2004)


£10.00 UK pounds inc p/p (UK/Europe/Rest of the World).

"Suggs' slightly distracted vocals give it a homemade quality that pushes Amigo Row into Hayden territory rather than straight ahead rock. When alone at the piano (as on spong opener father), he's often sublime, while "New Year" and "Calm Down" suggest the protracted healing of a shattered heart. (Uncut 4/5)

"Suggs’ voice is the real trump card here, his throaty vocals effortlessly wrap themselves around each song like cellophane on a pack of cigarettes. Fans of Springsteen’s “Darkness on the Edge of Town” won’t be disappointed with “Amigo Row” as the have a similar piano lead, classic rock sound. In short, a mighty fine effort from all concerned. Americana UK

"Broken Horse has proved with only a hand full of releases that they are one of the brightest independent labels currently staking their claim for the rights of our stereos. With the release of Matt Suggs second album ‘Amigo Row’ they show no sign in allowing this reputation to slip.

When the first track father kicks in instant flavours of Nick Cave and Neil Young become evident. This collection of piano and guitar led songs shows that Suggs is a strong songwriter who deserves to be compared to such greats. Many drift along like being serenaded in a cocktail bar as on Tehachapi Girl, whilst tracks like the foot-tapping excellence of Calm Down show his ear for thoughtful catchy tunes.

This record is streaked through with hints of country, easy-listening and pop all with a slightly grimy edge. It also proves Matt Suggs to be a songwriter of a truly high standard most will never reach. The real question is what can Broken Horse release next to keep up their current standards." Tasty Fanzine

Matt Suggs Amigo Row (album bio)

Matt Suggs spent the best part of the 90’s as the front man of Lawrence,KS indie favourites Butterglory. Whilst much loved & respected by those in the know stateside, the band remained firmly in the shadow of Pavement, Superchunk and the Archers of Loaf, all of which they shared stages with on several occasions. Butterglory ground to an unceremonious halt after the recording of their fourth album when Matt & drummer Debbie Vander Wall who he had formed the group with, split as a couple.

Broken hearted and broke, Matt left Lawrence to return to his native California where he got his head together, worked in a kitchen and started writing songs again. The result of this was his excellent debut album The Golden Days Before They End, released only in the US on Merge (domestic home to Lambchop, M.Ward, East River Pipe etc) in 2000. Incorporating piano, acoustic guitar, lap steel, mandolin and violin, Golden Days saw Matt moving further & further away from the Pavement inspired leanings of Butterglory.

After touring Golden Days in the US, Matt returned to Visalia, CA heavily in debt but with his sense of purposed restored and slowly began work on writing his 2nd solo album. This time round he enlisted the talents of the Brooklyn based Thee Higher Burning Fire to act as his backing band. With just a week’s intensive rehearsals under their belts they went to record with Brian Paulson (Slint, Wilco, Jayhawks,Son Volt and a million others) . Recorded and mixed in just one week, the result is the masterpiece Amigo Row.

Throughout the album’s 11 mostly piano led songs there is no weak link, from the opening “Father” (a post murder ballad Nick Cave could only have dreamt of writing), the stunning centre piece “Jonathan Montgomery” to the epic closing “Eyes of a King”, at no time does Matt Suggs drop the ball.

Trying to categorise Amigo Row (even 200+ listens in) remains elusive but maybe you’ll find The Band, Ray Davies and a non-strutting Mick Jagger may come to mind along with more recent talents such as Plush and M.Ward.

Whilst the usual path of the average indie rocker follows a downwards course, Matt Suggs has bucked that trend as is producing the finest work of his career. Only Elliott Smith springs to mind in fact, of someone who made the jump from an also-ran band (Heatmiser) to become a serious talent of his own.

Listen

Jonathan Montgomery


Further Reading:

Merge Records

Matt Suggs Interview (lawrence.com)

Matt Suggs Interview (valley advocate)

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Andrew Morgan

Misadventures in Radiology BKH-CD 004 released June 14th 2004



PLEASE NOTE THIS ITEM IS CURRENTLY OUT OF STOCK AT BROKEN HORSE HQ

(in the meantime you should be able to order it via www.play.com,www.amazon.co.uk, www.normanrecords.com, www.hmv.co.uk etc)


Misadventures in Radiology is the debut album by 25 year old Kansan Andrew Morgan. Without doubt, MIR is easily one of the most ambitious debut albums in recent years. In total, Andrew spent 5 years in planning, writing and pre-production for his debut. His big break came, however when Elliott Smith offered him some free recording at his newly constructed New Monkey studio in LA. A planned weekend session grew into a mammoth two month spell of recording in what Andrew descibes as "like a rock & roll fantasy camp for bored boys from the Midwest.”

The New Monkey sessions were suspended after two months when Andrew bankrupted himself. Three months of heartbreak, illness, broken bones and financial woes passed without recording another note. Eventually Andrew was to happen upon Peter Buxton, a local engineer in Lawrence, Kansas. Buxton, Morgan and an array of University of Kansas (KU) students would spend the following four months recording all the remaining orchestral overdubs at KU’s Murphy Hall. In a celebratory final session, Morgan, Buxton, and a group of undergraduate students scaled the university’s Campanile Tower to record carillon bells for the album’s penultimate song. It was a fitting end to the marathon of sessions, both in Lawrence and Los Angeles, in which giddy ambition ruled the day.

The finished product Misadventures in Radiology is a hugely ambitious slice of orchestral chamber pop that has already drawn favourable comparisons to Plush, Rufus Wainwright, Bright Eyes and indeed, latter period Elliott Smith.

Following a brief visit to the UK in April for shows in Manchester & London, Andrew has signed up with the Coda Agency (Lambchop, Sufjan Stevens,Iron & Wine, Scissor Sisters etc) and will be returning to the UK for live dates this Autumn.

Reviews/Press for Misadventures in Radiology

"Apparently this was recorded in Elliott Smith's studio for free before he died. Its the debut album from Morgan who comes from Kansas and its great. It's baroque pop , loads of strings with a real dramatic and lush sweep to the music. I Love It. It reminds me a little of an artist called Plush who had an album out a few years back It's lo-fi symphonic pop that should do well when it comes out in May. It really is quite intense and overwhelming in its beauty. " Paul Lester (deputy editor of Uncut writing in Music Week)

" A sprawling string drenched fanatasia, that at it's most cogent recalls Elliott Smith’s more baroque moments and US indie darlings Built To Spill" The Observer

“An insanely enterprising flight of orchestral fancy..it conjures up Liberace’s lost piano melodies preparing to march on Nick Drake’s string laden shores.” Uncut

"A dark and seaching string-laden labour of love" NME

"A String drenched epic heavy on cello, harmonium and piano with more than a smattering of Brian Wilson-inspired timpani. " Q Magazine

"..is a warm, dreamy journey awash with strings, piano and more offbeat instrumentation. Lovingly put together by Morgan it's fond undulating tunes will haunt you after a few listens." The Independent

"Andrew Morgan is a virtuoso tunesmith resolute in his task of splitting the pop atom" Logo

"..is the kind of album you can hear in a record shop and love it immediately/have to have it. But more importantly, its an album that you'll will come to love even more as you continue to discover something new with each listen. " Comes With A Smile

"Joining Magnetic Fields & Ben Kweller as the year's richest singer/songwriter album, for a set of songs that was recorded for about 5 dollars, it's as lush and grand as Trevor Horn era ABC. With the quirky world view of an Adam Green, Morgan is a hybrid of many fine talents. There are signs here, he may one day outshine all of them " Channel 4 (Teletext)

“Raised on the Beatles and baptized in the church of British Pop. If this debut album is anything to go by it shouldn’t be long before he’s mentioned alongside Ryan Adams and David Gray. Top effort.” Front

Listen

Misadventures in Radiology


Supine on the Covers

Further Reading:

Andrew Morgan (official website)

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Silver Ray

New Love BKH-CD 003 released Jan 19th 2004



£10.00 UK pounds inc p/p (UK/Europe/USA/Canada/Rest of the World).

Buy from Amazon.co.uk

Info

New Love is the 2nd album by Melbourne all-instrumental trio Silver Ray. In the tradition of fellow Australians The Dirty Three and Hungry Ghosts, Silver Ray since the late 90's have cut their teeth in Melbourne's notoriously healthy yet unforgiving live scene. No mean feat when armed with just piano, guitar and drums. A constant feature in the city's clubs, they have built an incredibly loyal following with their ever evolving but consistently jaw dropping live shows.

Under the direction of chief Cam Butler, the band with New Love have progressed enormously from 2001's debut This is Silver Ray. Recorded live in the studio with outside embellishments used sparingly, New Love is at times epic, bare, melodic and just plain beautiful. There's just four tracks to be found here (from seven to seventeen minutes in length) but immerse yourself in it and after a while you'll find that like in the classical tradition, for Silver Ray every note counts. A rare breed of instrumental rock that demands and seduces you in to repeated plays. Whilst comparisons to fellow instrumental passengers Mogwai, Godspeed YBE and Explosions in the Sky seem inevitable you may wish to add to that list (early) Felt, Durutti Column, The Bad Seeds and even Interpol.

Look out for a full European tour around the Spring of 2004, Cam Butler's sublime "Crazy Dreams" solo album and the follow up to New Love

Reviews

"Rivitingly woven.. Tortoise/Godspeed freaks should go a bundle." Uncut

"Silver Ray sound defiantly alone and confident in their own musical corner.Impeccably arranged timed and controlled." The Wire

" New Love is a wide-eyed neo-baroque wonder..future greatness is easily within the threesome's grasp. The post rock devolution starts here..look out Chicago." Comes With A Smile

"Labelling something ‘deeply textured and atmospheric’ may be a cliché, but nothing you’ll find here can be found anywhere else."
Logo Magazine

Luna Kafe

Bone Machine


Listen

Burning Romance


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John Cunningham

Happy Go-Unlucky BKH-CD 002 released sept 15th 2003


£10.00 UK pounds inc p/p (UK/Europe/ROW). Limited Special Price!!!

Not available to USA/Canada or to France,Belgium and Holland. The album is available in these territiories on Parasol & Top 5 records.





Buy from Amazon.co.uk

Info

Happy Go-Unlucky is John Cunningham's fifth album. Despite a series of well received releases throughout the 1990's John remains largely unknown in the UK. A situation not true in both the USA & Europe were John was built a loyal fanbase amongst those in the know. John's downer masterpiece Homeless House album from 1998 (released only in France) caught the ear of Joe Pernice who went on to name it as his favourite album of the year (for three years running!).

Happy Go-Unlucky sees John moving in a more pop direction. Whilst self produced with a modest recording budget the album bears all the hallmarks of some serious time in Abbey Road. A stunning production that boasts a clutch of classic pop songs which you'd swear you'd grown up on. Joe Pernice has given Broken Horse some exclusive sleeve notes for the UK issue and you can expect to see John playing live around the time of the album's release.

"John Cunningham's Happy-Go-Unlucky and Homeless House continue to blow my mind...I really can't say enough about him." JOE PERNICE

"Owes as much to McCartney as contemporaries Kevin Tihista and Richard Davies. A latterday chaser to Emitt Rhodes' eponymous debut." UNCUT 4/5

"Cunningham specialises in the sort of tiny,aching wonderful moments..that will have you returning repeatedly to each song." NME 8/10

"Could really have been recorded any time since the mid 60's..lovelorn, organic and rather reminiscent of The Beatles in fact." LOGO

"One of the best pure pop records of the year" MAGNET

"Cunningham is to the Beatles what the High Llamas are to the Beach Boys. He hews closely and superbly to the balladic side of "Revolver" era fabs" UNCUT

"A rainy-day album for pop dreamers who are chasing that elusive smile through Strawberry Fields (forever)"
SOUND & VISION


Listen

You Shine (mp3)


It Goes On (mp3)

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Doleful Lions

Out Like A Lamb BKH-CD 001 released december 2002

£10.00 UK pounds inc p/p (UK/Europe/Rest of the World except USA/Canada)

Buy from Amazon.co.uk


" a delicate,psychedelic masterpiece..fragile and heroically nostalgic..feels like the work of friendly ghosts." THE GUARDIAN

"a gem of neo-psychedelic orch pop, with chiming guitars and close vocal harmonies. The sound of dreams." UNCUT

"definitely one to offer up its treasures with repeated plays..out like a lamb is the kind of thing from which obsessions spring." CARELESS TALK COSTS LIVES

" There's no point in singling out any actual tracks; it's a tear-streaked monster from start to finish. Fans of Chris Bell, Phil Spector, Syd Floyd, Who, Love, the Beach Boys, the Millennium, the Clean, Elephant 6 and all the beautiful things in life need this now." THE BROKEN FACE

Further Reading:

Doleful Lions-Interview


Doleful Lions-Parasol Records Bio


More Reviews

Listen

Tanah Lot (mp3)

Stand in the Colosseum(mp3)


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